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How We Choose Our Fabrics
Every season begins in a mill, not a sketchbook. We look at how a cloth falls off the roll, how it takes a press, and how…
Read the pieceNotes on craft, colour and the quiet discipline behind every piece we make.
Every season begins in a mill, not a sketchbook. We look at how a cloth falls off the roll, how it takes a press, and how…
Read the piece
Behind the Embroidery: Craft & Culture
Zardozi is counted in hours, not metres. A single festive neckline can hold forty of them. We visit the workshops…
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Wardrobe Essentials for a Lahore Summer
Khaddi, lawn and cotton silk in the right weights will carry you from April to September. Here is the short…
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The Art of Draping a Dupatta
Six ways to wear two and a half metres of organza — from the single-shoulder drape for daytime to the…
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Caring for Hand-Worked Pieces
Never hang embroidery. Fold it flat with acid-free tissue at the creases, keep it out of direct light, and dry-clean…
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Colour Stories of the Season
Ivory, champagne, rosewood, sage and midnight. Five shades chosen to work with each other and against Pakistani skin tones, in…
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Why We Produce in Small Batches
Limited runs mean less waste, better quality control and no end-of-season landfill. It also means pieces sell out — which…
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Made to Last: Our Approach to Design
We design against the trend cycle. If a piece will not still make sense in ten years, it does not…
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